Whenever you see stars becoming characters to their fullest in the movies, that feels just cool.
When movies that initially hint to be standard star vehicles turn out to be pleasantly not-so-typical commercial entertainers that feeling is sweetly surprising.
When the hero's mass takes a backseat in the climax to elevate another character, that hits differently.
When you expect the score will be as usual bombastic but suddenly it turns out to be quite absorbing where silences in scenes were given equal preferences, then that feels truly satisfying.
When the commercial movie wants to dwell on its emotions rather than elevations, when that movie doesn't give two hoots about duets /item songs, instead it believes in expanding the honesty of its story then that feeling is something rewarding.
'Bhagavanth Kesari' consists of all this where
Balayya, Thaman, and Anil Ravipudi do their jobs superbly in an unexpected manner, they underplay for the most part to keep proceedings as subtle as possible in this format, there were writing hiccups here and there but these men were aiming for a commercial movie that dodges the senseless mass whenever possible, the mass moments in the movie were not just fans pleasing, they were explosive with appealing nature to all, they are just fresh and exhibits the Balayya with a new "updated" energy.
Just go and amuse yourself with "Bhagavanth Kesari", it's fun in good taste!💚