Today's Best Photo🥰

He was only 23 💔

I hope we get a hi.. 🇺🇸🇺🇸❣️

What a beauty!🥰

Srikanth Odela and his bloody visual sense!

A year ago watching 'Dasara' in theatre was quite powerful, telugu cinema is known for mass-masala movies but only a handful of directors actually have a strong visual sense in capturing the proceedings with some fascinating detailing/designing so that the shots actually register in the audience minds.

After years I saw a director in Telugu cinema in the form of Srikanth Odela who got that inventive visual sense, the kinda very strongly felt, piercing imagery he achieved in 'Dasara' made it outshine its writing flaws, mad props to Sathyan Sooryan too for making it possible that strikingly.
Easily 'Dasara' is one the finest looking movies of Telugu cinema, the atmospheric feel that I got then from experiencing the dust-filled 'Dhoom Dhaam Dosthan' Song on the big screen is still alive in my senses. It was just remarkably shot.

Glad Nani is making another movie with this Man, and I hope it will be another bigger banger!

Watching 'Chamkila' had me thinking about Raghavendra Rao!

Wheww, Mass cinema on "Serious" Steroids!
🎞️ Agneepath (199
Watching Big B in his most aggressive role emote this anger that can only be imagined in wars was enthralling.
Aided by Khader Khan's terrific dialogues, Mukul S. Anand conceived a mass cinema that has this seriousness that feels very powerful and very harrowing whose likes are difficult to find now in Bollywood.

🎞️ Agneepath (199
Dir: Mukul S. Anand
🎞️K.G.F : Chapter 1 (2018)
Dir : Prashant Neel

Kim Ki-duk's another viscerally intimate, interestingly eccentric take on the love where he again portrayed joy, anger, sorrow, and pleasure through four seasons as he previously did in the 'Spring, Summer, Fall, Winter and Spring' movie.
🎞️Breath (2007)